Showing posts with label Dion. Show all posts
Showing posts with label Dion. Show all posts

Friday, 13 August 2010

Reasons to Love youTube No. 7 - Dion and the Belmonts

Dion and the Belmonts - I Wonder Why (1958)

A massive thanks to the Flip Top Flippar for bringing this beauty my way. This is a brilliant, rare clip from 1958 and shows white boy doo-wop at it's finest. They moves and routine might not be as dynamic as some of their black counterparts, but the choreography is still as tight as the vocals - which is tight. The only down side is the hard looking mama at the 1 min 30 mark who looks like she'd slit your throat with her papa's switchblade without batting an eyelid. Wonderful stuff.


Friday, 26 March 2010

Johnny Maestro - RIP.

One of the greatest doo-wop singers, Johnny Maestro of the Crests has died of cancer. It's another sad day for rock 'n' roll fans, as this guy was one of the best. Personally, he was a guy that I hoped I would one day get to see in the UK.

His friend, the legendary Dion DiMucci wrote on Facebook: "My Dear Friend " JOHNNY MAESTRO" passed away today..... Last week we had wonderful & lovely conversations about our Lord. Johnny was a class act. He was truly a gentleman. :::...We will miss him. He sang "You'll Never Walk Alone" like an angel....
WE THANK YOU FOR THE BEAUTIFUL TRIP YOU TOOK US ON...LOVE & PEACE".

My Crests Top 5

1. Six Nights A Week
2. 16 Candles
3. Gee (But I'd Give The World)
4. What A Surprise
5. Isn't It Amazing





Monday, 20 July 2009

Mellokings - The Herald Sessions


The Mellokings – The Herald Sessions
Acrobat ACMCD4301

Tracklist: Tonight Tonight I Promise Our Love is Beautiful Sassafrass Once On a Windy Day The Only Girl (I'll Ever Love) Kid Stuff Chapel on the HIll Chip Chip Valerie Starbright Baby Tell Me (Why Why Why) Do Baby Do Running to You Penny I Played the Part of a Fool Thrill Me (Not originally issued) Dear Mr. Jock Till There Were None Workout (Not originally issued) She's Real Cool Love at First Sight Chapel on the Hill (alt.) Chip Chip (alt. - not originally issued) Tonight Tonight (alt.) Love at First Sight (alt.)

I gotta confession to make – I actually like white doo-wop as much as black doo-wop. Before you going hanging me from street corner lamppost, have a think, and I’ll bet you love it too. You got Dion and the Belmonts to start with, then you got a whole tenement block full of groups like Vito and the Salutations and the Mellokings. Acrobat Records have just released a CD by the Mellokings and there is plenty on it for beginners. I’ve only borrowed it from a friend as I’ve got their stuff on Relic and to be honest, there’s not enough on the new one to need an upgrade. However, if you haven’t got anything by them, what can you expect?

First and foremost the band are famous for the beautiful 1957 ballad, Tonite Tonite which although revered in doo-wop circles, only reached numbers 77 and 95 on it’s original release and it’s1961 reissue.

The group formed in 1956 in Mount Vernon, New York and consisted of Bob Scholl (tenor), his younger brother, Jerry Scholl (high tenor), and Eddie Quinn (second tenor), Neil Arena (baritone) and Larry Esposito (bass). They signed for Al Silver, owner of Herald and Ember Records and recorded Tonite, Tonite at their first session together with the flip, Do Baby Do.

The follow-up single in September 1957, Chapel On The Hill was another lovely ballad while the flip, Sassafras was more of a novelty teen rock ‘n’ roller. Before the year was out Herald released a third single, the uptempo Baby Tell Me Why, Why, Why and the ballad The Only Girl. Despite promotional appearances and national exposure on the likes of American Bandstand and working an Irvin Feld 17 day tour featuring the Everly Brothers, the Crickets, the Rays, the Hollywood Flames, Eddie Cochran, and Jimmy Rodgers, they still couldn’t crack the charts.

The writing must have been on the wall that chart success would allude them after the glorious ballad Valerie failed to register the following March. She's Real Cool maintained the excellence, being an archetypal zoom-bappa-boom style doo-wopper. If I have to be negative here, I’d say that the instrumental breaks on most of their songs, leave a lot to be desired and can lose the momentum.

In the spring of 1958, the Mellokings became a four-piece when Neil Arena left. Mot long after, Larry Esposito also left, and the Mellokings replaced them with Louis Jannacone and Tony Pinto. This was the line-up that recorded Chip Chip in November 1958. Released in January 1959, Chip Chip is a great novelty that had hit record written all over it. The flip Running To You was a nice slowie that had more than a hint of Dion about it.

It was over a year before the next release, another lovely ballad, Our Love Is Beautiful backed by the neat Dear Mr. Jock. By the end of 1960 the group was back to being a quartet with Jerry Scholl, Bobby Scholl, Lou Jannacone, and Tony Pinto. Kid Stuff and I Promise from September ’60 both have their moments but if Valerie and Chip Chip weren’t going to hit, these certainly wouldn’t.

Late 1960 saw the issuing of their only album, The Mellokings Sing, which makes up the first half of this Acrobat CD. As well as containing the singles released to date, it also featured a couple of previously-unreleased numbers including the too-white and too-shite, Once On A Windy Day.

With doo-wop enjoying a second coming as early as 1961, the Mellokings could have been forgiven for thinking that they were finally in the right place as the right time. Penny is heavily stringed but the vocals are nice enough but it was their final Herald release in October where they hit their highest artistic heights since Tonite Tonite. Love At First Sight has everything a classic doo-wop record should have, relentless ooh-ah’s behind a lifting lead vocal. It’s a beauty and with Bobby Scholl sublime. Among the autographs he was signing at the time, the biggest was for a certain Uncle Sam, as he was drafted.

That’s the story as far as this CD goes. If you’ve got the Relic album you won’t need this, but if not, t’s a more than worthwhile item that should find a warm reception in any doo-woppers collection.

Tuesday, 16 June 2009

The Roomates - Lost on Belmont Avenue


The Roomates - Lost on Belmont Avenue
ACE CDCDH 1026

The Roomates are to Dion’s Belmonts what Darrel Higham is to Eddie Cochran. This is the English quartets fifth album and second for Ace Records, released a few months ago in celebration of their 20th Anniversary. They are steeped in the white vocal groups of the late 50’s, early 60’s such as the Mystics, the Elegants, Vito and the Salutations and especially the aforementioned Belmonts. Of the generous thirty tracks on offer, Steve and Mark Webb, Nick Kennedy and Glen Brentnall wrote no less than nineteen of them with the covers being well chosen, less obvious numbers.

The opener, Echoes of the Past gives Carlo and the boys a name check and it sets the scene for the whole album. They have the crystal clear vocals that the white-woppers specialised in and they have the same bounce and general happy feeling that their heroes employed. Throughout the album, they are as tight as a drum with clever backing vocals to enhance the strong leads (witness If You’ve Got A Girl).

Highlights of the ballads for me are Remember, She Won’t Cry and Wanderin’. In the rockin’ mode the standouts are Dance, Dance Girl and a great cover of the Searchers’ Wow Wow Baby. Surely Human Angel is Dion and the Belmonts, not the Roomates. There are a couple of songs that don’t cut the mustard like Internet Baby and I’m Still Countin’, but otherwise the songs and performances are top notch.

Put this on a crackly twelve song vinyl long player and people would swear that it was a long lost Laurie Records album. Great performances from a quality outfit.

Check out this version of The Shrine of St Cecilia, performed in a subway in true doo-wop style. Then check out their amazing version of Elvis and the Jordanaires version of I Want I Need You I Love You with Axel of The Downhomers in Germany, 2007.