Showing posts with label James Intveld. Show all posts
Showing posts with label James Intveld. Show all posts

Thursday, 6 October 2011

Americana 2011 Review



This year's Americana Festival was my first even though the event has been going for over thirty years. It's something me and the misses have always planned to do but never quite got around to. Boy am I glad that we decided to rectify that this year. As ever with an outdoor festival in Britain, the weather was to play a major part. On the Friday we got soaked, on the Saturday we got sunburnt and on the Sunday we had a mixture of both. Such is the quality of the music on display, the rain doesn't seem to get in the way of a good time.

My first impression when we got there was the huge scale of the event. There are hundreds of American cars, bikes, campers and lorries inside the main grounds, together with thousands of tents, campers and caravans in the surrounding fields. Booking in was a breeze with the staff being helpful and on-the-ball. If only one of them could have been around when we tried to put the tent up! A sign that greeted the visitors on entrance was that there was a zero tolerance on trouble makers, and this probably resulted in there was no sign of drunken or yobbish behaviour. The atmosphere throughout the weekend was one of great camaraderie and the typical British spirit of "we're going to have a ball whatever the weather". Anyway, onto the music.

The first band I saw were Caravan of Wayne who I'd looked forward to ever since seeing them on youTube doing covers of Little Ol' Wine Drinker Me and Me And Bobby McGhee. As they're name suggests, they are heavily influenced by the great Wayne Hancock and they do there hero proud. A cracking start to the weekend despite the fact that by this time it was already lashing down. Next up were the Mee Kats who played a nice rockin' set, not surprising when you consider there pedigree.

By the time the Hicksville Bombers came on, the dark clouds had been replaced by flashes of lightning and massive rumbles of thunder and the rain had been replaced by hail. It was a biblical storm as the Bombers rocked away while the crowd stayed and danced in the rain. It was one of my favourite shows as the lightning was fierce, the hail actually hurt and band played a blasting set, appreciating the fact that their fans were carrying on regardless. They adopted a couple of heavy metal tunes into rockabilly numbers and although I've seen less than favourable reviews in Now Dig This, to me it worked really well. I loved the set and with the weather and everything, it's a gig I'll never forget.

The evening kicked off with a bang from Aynt Skynyrd. They're a fine tribute act and I really enjoyed their version of Tuesday's Gone. But the star of the show for Friday night was the newest sensation of the rockin' scene, Si Cranstoun. He was amazing, with a set full of mostly original songs including the dance-floor favourites, 50’s Pin-Up and Dynamo. The crowd were right behind him and his encore included cracking versions of Jackie Wilson’s Reet Petite and Sam Cooke’s Twistin’ The Night Away. He’s obviously a big fan of Nappy Brown and did Don’t Be Angry and Little By Little. He was a quality act and has real potential to join Imelda May on the mainstream charts. It was to everyone’s good fortune that one of the following days bands had to drop out so the organisers wisely chose to get another set out of Si Cranstoun. The second show followed the same as the first, and was equally as great.

I took in a couple of indoor shows later that night and was really impressed the hillbilly sounds of Rusty Steele. I’ve been a fan since his wonderful joint tribute album to Hank Williams with the Rimshots. Final band of the evening were the mighty Jack Rabbit Slim, who played a powerhouse set of 21st Century rockabilly. It was powerful stuff and they created a great atmosphere with crowd pleasures like The Touch and Killer Dilla.

The weather on Saturday was scorching and the highlight of the day time shows were Truly Lover Trio with their Roy Orbison sound. I caught a bit of Mary Jean Lewis who seemed really good and then waited for Narvel Felts. One of my wife’s favourite songs is Kiss-A Me Baby and I’d preached to her how great he was when I’d seen him a few times at Hemsby with the Rimshots. Unfortunately, Narvel’s ill health seems to have caught up with him. His backing band, Lazy Dog provided a solid country backing and his set was of a much more country flavour than at Hemsby. Nothing wrong with that, but he struggled to reach a lot of notes, and I wonder if we’ll ever see him over here again.

I can’t describe how much I enjoyed James Intveld. I love his rockin’ country sound and with his voice and a wonderful band (the guitarist was sensational), it was the highlight of the weekend. He played tracks from his three albums and I’m hard pressed to pick some favourites. If pushed, I’d say, Somewhere Down The Road and A Woman’s Touch (Rod Pyke’s favourite). The women were swooning and my wife thought he looked like Johnny Depp. He’s phenomenal and I hope he gets called back every year.



I’ve seen Johnny Power’s a few times and his show is always packed with energy, aided in no small part by the dynamic guitar of Chris Casello. Keith and the rest of the crowd went absolutely mental when the guitar intro to Long Blonde Hair blasted through the night air. It’s a classic and Johnny, Chris and the band played it with venom - a magical moment.

I caught a couple of Alvin Stardust numbers and was baffled by some weird versions of rock 'n' roll classics. No sign of Shane Fenton in this poor performance, but I was really impressed by the country band, Two Tons of Steel. They’re the real deal and listening to them in the open air on a hot summers night is about as good as it gets. This could have been a summer fair in Alabama, which sort of sums up the name, Americana I suppose.

The evening closed with a storming set from the Revolutionnaires, who had the crowd jumping with a brilliant set of hot jumping blues. The lead singer alternated from harmonica to piano to guitar and it was high quality showmanship. It was probably the best atmosphere of the weekend with the hanger busting at the seams, including a few lads that just couldn’t resist the urge to get on stage and boogie on down.

As always when you’re having fun, the time flies by and before we knew it, it was Sunday. First up was another set from James Intveld which was pretty close to the previous day’s, although the addition of Modern Don Juan was brilliant. His voice is perfect for that West Texas rock ‘n roll, with a comforting quality along the lines of Sonny Curtis or Buddy Knox. If you’ve never seen James Intveld before, I urge you to check his tour dates and go and watch him, he’s brilliant.

Former Dr Hook front man Dennis Loccorriere gave a pleasant acoustic set but we missed most of it as we wanted to watch the doo-wopppers The Roommates. Their sound was great and despite the sore throat of one of the lead singers, they gave us a fine mixture from the likes of Dion and more surprisingly, Gene Vincent. One of the things I loved about the Americana was the laid back atmosphere and this seemed to extend to the artists as well. To me this was highlighted by Art Adams sitting in the crowd on a deck chair watching the Roommates while fans came up to him and chatted or had a photo taken.

I enjoyed the set from Some Like It Hot, a real rockabilly band that hit the spot. We all looked forward to the Kingcats but sod’s law decreed that the heaven’s would open once again. Despite the torrential rain, the crowd and the band got into the groove and Bill Crittenden treated us to his beautiful, Elvisesque vocals. The band were joined by Bill’s daughter Abbie Marie but after two songs their set was rather crudely terminated. The crowd were yelling for more but the plugged was pulled, much to the annoyance of the crowd and a very upset father and daughter. I forgot the name of the bearded guy who unceremoniously pulled the plug, but he was a bit o a pain all weekend, continually talking shouting over the mic about his sandwiches while the deejays tried to spin the wax and get the dancers going.



I've seen and been a big fan of Paul Ansell for many years and eagerly awaited his show. Even though this was far from his best performance, there was still much to enjoy. There was a lot of songs from his new album, which I've yet to really warm to. A couple more listens and I should be there! I was gutted that we had to leave before John Lewis hit the stage. His Hemsby shows with the Rimshots are amongst the best I've ever seen.

A special mention must go to the sound guys who defied the elements to keep the music coming. Sterling work in some pretty unhelpful conditions.

I can't wait for next year, with a line-up that is shaping up to be a must. Acts confirmed to date include Hayden Thompson, The Balsters, The Polecats and Confederate Railroad. Roll on next July.

Wednesday, 2 June 2010

Kingcats – In The Mood



Kingcats – In The Mood
Foot Tapping FT091

Tracklisting: 1.PROMISED LAND; 2.LONESOME LIFE FOR ME; 3.TREAT ME NICE; 4.LOSING SIDE OF ME; 5.PERFECT WORLD; 6.IN THE MOOD BOOGIE; 7.DONT' LEAVE ME NOW; 8.TIME OF MY LIFE; 9.WALK ON BY; 10.WASH MACHINE BOOGIE.

I’ve raved over these guys before, both on record and on stage. Their latest Foot Tapping offering doesn’t disappoint and maintains the high standard they’ve set for themselves. Again the format is a short album full of well chosen covers and reminds me of the type of albums you used to get in the late 70’s.

As with their earlier Back On Track CD, there’s a trio of Elvis covers. Treat Me Nice and Don’t Leave Me Now showcase the quality of Bill Crittenden’s voice but add little to the original. The CD opener is something else though – they romp through Promised Land. I love the way the Kingcats turn the 70’s Elvis songs into 50’s rockabilly, a further example being Crittenden’s cover Hurt for an album he did with The Sweet Georgia Boys – check it out.

Again the covers on this album are well chosen. Jerry Lee’s In The Mood Boogie is a fine band workout that differs little from the Killer’s and the cover of the old nutmeg Washing Machine Boogie is superb. Crittenden is similar in style to James Intveld, so their cover of his Perfect World was always going to be good. Perfect voice, perfect song, perfect world indeed. Lonesome Life For Me and Time Of My Life are very Elvisy and the Mavericks Losing Side Of Me is tailor made.

The best song though, and one that I haven’t been able to stop playing is Leroy Van Dyke’s Walk On By. It’s a brilliant version and even manages to surplus Leroy’s original. The vocals on this are superb. On my review of Back On Track I finished by saying that BC was the Paul Ansell. If he keeps this up he’ll be the new Elvis. Bill Crittenden take a bow.

Thursday, 13 May 2010

Teddy Boy Rock ‘n’ Roll – Crazy Cavan Tribute



Teddy Boy Rock ‘n’ Roll – A Tribute To Crazy Cavan and the Rhythm Rockers
Rollin Records RRCD010

Boz Boorer provides an insight into how inspirational Crazy Cavan and the Rhythm Rockers were in the UK during the 70’s and how he and his mates all “wanted to be Lyndon Needs so all of us jumped around like epileptic hillbillies”. He also talks about how drummer Mike Coffey’s brother, Breathless Dan was revolutionary in going Stateside to discover unheard singles and bring them back to Europe.Boz adds, “As a result of his travels he supplied Cavan with a lot of 45’s that people had never heard in England (Wales!!). This stood them head and shoulders above any competition at the time and added to their unique sound. So I think a tribute album to them is long overdue”. I totally agree, and although there’s been the odd song (Teencats – Hey Mr Grogan) and a recent album from Mr Breathless, this is the first major venture. Just a quick glance of the song-writing credits shows how dersereving this tribute is. They’re all household favourites across the rockabilly world and fourteen of them were written by Crazy Cavan Grogan or Lyndon Needs.

Eleven of the fifteen tracks were cut over two Sundays in Hollywood in early 2008, with four bonus cuts from this side of the pond. The first session from 6th January 2008 mainly features Boz Boorer, Dean Micetich (Kid Rocker), Solomon Snyder and Joe Perez, with a couple of guest spots fro Big Sandy, Tim Polecat and Ashley Kingman.

The CD bursts out of the speakers from the get-go with both Boorer’s Teddy Boy Rock ‘n’ Roll and Big Sandy’s Wildcast Cats In Town being brilliant Cavan tributes, full of the energy and power that made Cav and the Rockers the legends they are. Big Sandy actually sounds like Cavan at the beginning. The band are great on the five tracks featured with Boorer and Micetich sharing some rip-snorting solos. Boorer’s other number Teddy Boy Boogie is equally wild, I would love to have heard his cohort Morrissey get involved. He’s a bit of a rockabilly, I could just imagine him doing a dark version of Put A Light In The Window. Micetich is the Kid Rocker on Bop Pretty Baby and he hiccupos and growls for all he’s worth, great stuff. Tim Polecat gives flick of the middle finger to all the Teds who booed the Polecats at Jerry Lee gigs with a stompin’ take of She’s The One To Blame.

The second session from the end of February BB and Micetich joined by a mixture of session men including Stray Cat Slim Jim Phantom, Danny Harvey and James Intveld. Boorer is again superb with the Hard Rock CafĂ© anthem. I love James Intveld and think some of his songs like Perfect World and Samantha are stupendously good, but I don’t he’s really a Crazy Cavan kinda guy. Don’t get me rong, I’m chuffed he’s a fan of Cavan and wanted to be involved in the project, I’m just don’t think his voice suits it. Then again, Crazy Rhythm might have been a great name for a Cavan album, but it isn’t exactly their best song – perhaps if Intveld had of covered one of the ballads like Dolores it might have been better suited to his controlled vocals.

Levi Dexter returns to form without My Little Sister’s Gotta Motorbike and even gives us the bike noises that Cav revels in doing. It's nice to hear this song with a double bass (played by Intveld) so prominent, and makes you wonder what CC&RR would sound like with more of this than an electric bass.

The best of the five bonus tracks is Johnny Fox and the Hunter’s My Bonnie. Then again that oldie belongs to Teds everywhere, not just Cavan. The Batmobiles deserve a mention for their spirited neo-rockabilly blast through Frankie’s Got A Quiff.

Boz Boorer and Kid Rocker deserve a slap on the back for producing a magnificent album. This isn’t just the fitting album that Cav and the boys deserve, this is a truly wonderful album in its own right. And what about the photos on the front and back covers.


Sunday, 7 March 2010

Stop the World And Let Me Off

I love Waylon's Stop the World And Let Me Off and found a great recent version by the Dwightster on youTube. Check it out, from Dwight's gig at Houston's Arena Theater on 21st November, 2009.




Ricky Nelson did it in the mid 60's as well, and while it ain't as good as Waylon's it's well worth a listen.




The clip below shows James Intveld, from the Beachland Tavern in Cleveland on August 12th, 2008. It goes without saying that he nails it.




And lest we forget, here's ol' Waylon himself.


Thursday, 3 September 2009

The Kingcats at Twinwood


The first group I caught at Twinwood last weekend was Ooh Bop She Bamb who were a bit too polished for me. They impressed with Scatman Crothers’ I'm 'gonna Rock & Roll and their version of Lawdy Miss Clawdy was a neat stroller, I could have done without toothless Don’t Be Cruel. Okay, but just an appetiser for what was to follow.


I was really looking forward to seeing the Kingcats as I think lead singer Bill Crittenden is one of the best singers out there. Way before they’d finished their opener, an extended Promised Land, I knew this was going to be a great show. Jerry Reed’s When I Found You was perfect for the band to show their credentials. They played a couple of numbers from their forthcoming CD including a Sun inspired Lonesome Life For Me and a great cover of the Mavericks’ Losin’ Side Of Me and. They’re regular visitors to the Mav’s catalogue, and seem to be partial to a bit of Elvis as well. Today we got excellent versions of I Got Stung and A Mess of Blues. A highlight of the set was the stroller Perfect World which I knew courtesy of James Intveld. The two have similar voices and it was a fine choice.


Abbey Marie joined the band for a couple of numbers and tore through ‘Til Your Well Runs Dry and Bigelow 6-200. She’s got one hell of a big voice and almost stole the show. The Kingcats finished with a bopping version of the Killers/Hawks’ In The Mood with piano pounder Rusty proving to be anything but. The encore took us back thirty-odd years with Washing Machine Boogie. If you’ve never seen them before, you don’t know what you’re missing. This is a great band with a wonderful lead singer.

Reviews of Big Boy Bloater, Jive Aces, Metrotones and a blistering show from Mike Sanchez to follow over the next few days.